RIZKY DESIGNS

A Merrigong Theatre Company Production

Wollongong Botanical Gardens

Directed by Leland Kean

SKE Entertainment Production

2023 and 2024 Australian Regional Tour

@menopausethemusical_au

Photos by David Hooley

FADE

Written by Tanya Saracho

Directed by Jeneffa Soldatic

Riverside Theatre July 2023

Photos by Phil Erbacher
Insta: fleshskinhairblood

A Sopopera Production

Win Entertainment Centre

Directed by Amy Copeland

Photos by Tracey Timpano

A Sopopera Production
At Illawarra Performing Arts Centre

Directed by Amy Copeland

Photos by Tracey Leigh

A Sopopera Production

At the Illawarra Performing Arts Centre

A remount of Chicago 2017 Directed by Amy Copeland.

Photos by Tracey Leigh

A Belvoir St Theatre Production

Upstairs Belvoir

Directed by Richard Carroll & Virginia Gay

Photos by Brett Boardman

“With Michael Hankin on set and costume design, the staging is simple but effective, with a wrap-around mural evoking a dusty rural Aussie town, and Jasmine Rizk’s evocative lighting design shifting the mood where needed. “ - Alannah Maher Timeout Magazine

“Jasmine Rizk’s lights earn laughs on their own as they push us deeper in Alison’s panto breakdown, which rightfully earned applause on opening night.” - The Guardian

Zombie Thoughts
Riverside Theatre

An Australian Premiere By Jennifer A. Kokai & Oliver Kokai-Means

Directed by Warwick Doddrell

Photos by Noni Carroll

A SoPopera Production
Win Entertainment Centre

Directed by Amy Copeland

Photos by Anna Warr

Michelle Guthrie presents

WELL BEHAVED WOMEN

A Song Cycle by Carmel Dean

Photos by David Hooley

A SoPopera Production in association with Merrigong Theatre Company
Illawarra Performing Arts Centre

Directed by Amy Copeland

Photos by Tracey Leigh

A Concertworks production

Directed by Chris Parker

Performed at the Hamer Hall Melbourne & the International Convention Centre Sydney

Photos by Phoebe Warlow

“Jasmine Rizk’s lighting design adds plenty of atmosphere, and is brilliantly used in the famous Confrontation number.” - Limelight Magazine by Jo Litson

“Victoria Horne's sumptuous costumes and Jasmine Rizk's striking lighting design were noteworthy in creating the Victorian world of Jekyll & Hyde.” - Stage Whispers by Alex Armstrong

A Lauren Peter’s Production at the Hayes Theatre

Directed by Cameron Mitchell

Set Designer Kelsey Lee

Photos by Robert Catto

A SoPopera Production in association with Merrigong Theatre Company
Illawarra Performing Arts Centre

Directed by Amy Copeland

Photos taken by Tracey Leigh

A Darlinghurst Theatre Company Production at the Eternity Playhouse

Directed by Jo turner

Photos by Robert Catto

A JackRabbit Theatre Production for HI - JACKED RABBIT at KXT Theatre

Directed by Samantha Young

Lighting design by Martin Kinanne & Jasmine Rizk

Photos by Clare Hawley

A SoPopera Production in association with Merrigong Theatre Company
Illawarra Performing Arts Centre

Directed by Amy Copeland

Photos taken by Tracey Leigh

A Merrigong Theatre Company Production in association with Canberra Theatre Centre

Written by Alana Valentine
Directed by Darren Yap

“Semi-transparent walls and shuttered windows work with Jasmine Rizk's lighting design to reveal the ensemble which Director Darren Yap has 'haunting' Lindy as she recounts her experiences from the horrifying discovery of a dingo leaving her tent to memories of the trials and inquests to the time spent in prison.” Jade Kops for BBW Review

“The lighting works well to provide mood and isolate or emphasise characters and emotions with some clever detail in the evocation of trees and time passing. (Designer:Jasmine Rizk based on the original design by Toby Knyvett)” - Judith Greenaway for Sydney Arts Guide

A Merrigong Theatre Company Production
Illawarra Performing Arts Centre

Written by Australian Playwright Lachlan Philpott
Directed by Leland Kean

“The intricacies of the Lighting Design to facilitate the Projection Design without diminishing it and still covering the actors, so that they could be seen ( be read), by Jasmine Rizk, is amazing.” - Kevin Jackson from Kevin Jacksons Theatre Diary.